I give up. I’m throwing in the towel. I am tapping out. I’ve had enough of Escape Dead Island after six hours and two attempts at playing the game.
This is a game so devoid of merit that I refuse to play any more of it. I haven’t completed the campaign and I’m not sure that even the most brilliant plot twists in the history of gaming (and the writing indicates that to be as remote an unlikelihood as Valve going out of business) would make me change my rating of this game.
Sometimes, a game comes out of absolutely nowhere to take the world by storm. Shortly before it was launched, Rocket League became the hot game in the gaming sphere thanks to developer Psyonix getting the game in the hands of popular let’s players and streamers. Now, it’s cemented in the top games on both Twitch and Steam (in both players and sales).
So how does this little indie juggernaut really stack up when you go beyond the hype?
I’ve never really understood how Telltale can be so good at writing these episodic narrative arcs but be so completely incapable at writing the second episode of those stories. They go from great starts to non-existent follow-up and that certainly dampened my enthusiasm for the third episode of Tales from the Borderlands. Fortunately for Telltale, they aren’t too bad at bouncing back from a subpar effort and certainly did with this episode of TFTB.
The most recent NASCAR game that I played prior to picking up NASCAR ’15 was EA Sports’ NASCAR 06: Total Team Control. Before and after playing that, I regularly played NASCAR Racing 2003 Season. NR2003 is over 12 years old at this point but it’s still considered the best NASCAR sim ever made and still has a fairly healthy community.
So when Dusenberry Martin Racing announced that they acquired the NASCAR license, I was pretty excited. Their leadership includes a veteran of those classic Papyrus Racing Games NASCAR games so I was hoping this would be a sign of good things to come from NASCAR ’15.
Then DMR mentioned that this year’s game was a carryover from previous license holders Eutechnyx who had already started development on NASCAR ’15 when they acquired the license. If you know the name Eutechnyx, you may recognize them as the developers of Ride to Hell: Retribution. Oh my.
After the last episode of Game of Thrones (A Telltale Game Series), I lamented the fact that it felt like the story was far too on-rails for my liking and that the Forrester clan were getting no hope spots in their continuing battle to save their House from being crushed by the combined forces of House Whitehill and the various Bolton and Lannister forces. While the latter doesn’t really change that much (it is a Telltale game after all), we finally see a glimmer of hope and a little comeback from Team Ironrath.
Given that we’ve been beaten down emotionally by Game of Thrones on TV and in the game, it was nice to have that little bit of hope.
Experimental games are a hit or a miss. I’m not entirely sure that you will ever find a near universal opinion on any game but games that find themselves outside the standard mould are especially prone to that. People will either absolutely love new and different games and mechanics or they will resoundly reject them.
I use that as the intro to this review because experimental is an appropriate catch-all term to describe Her Story. It’s a mystery game that sees you dig through old police interrogation videos to determine the truth in a 21-year-old case.
It might not have a proper win state. It might rely on FMV in the style of a, well, 21-year old video game. It might be a game that’s only combat is your brain against itself. But it’s easily the best game I’ve played this year so far.
I know these episodic reviews of Telltale’s games aren’t exactly the most timely but the increasing length of time between Telltale’s releases aren’t exactly speedy either. We’re getting to the point where I’m not exactly sure that Telltale will be able to complete Tales From The Borderlands during this calendar year since the gap between releases is just over three months.
So some three months after it was released, I’ve finally gotten around to reviewing the second episode of Tales From The Borderlands. It would have been a lot easier to review this is I felt any passion for this product but I’m not entirely sure that I don’t feel a little more passion than Telltale does.
After last season and this week’s episode, I’m not sure that the hype over Episode Nines shouldn’t be replaced with hype over Episode Tens. While some big things might happen in Episode Nine, for the second year in a row, it was the season finale that was the best episode of the season. Now that the TV show has reached the end of the books, the story has run out on a number of characters.
There are two types of Episode Nines in Game of Thrones. The first is the big plot-heavy episodes that bring us to the climax of many of the show’s big stories throughout the season. The other are the more tightly focused big budget battle episodes. The Dance of Dragons was definitely more the former but the ending certainly had the spectacle of the latter.
I have a mixed history with games from Italian developer and publisher Milestone. While I liked their kart-racing take on the World Rally Championship, WRC Powerslide, the more simulation-focused main WRC series has been a bit of a disappointment. On the whole, their four-wheel racing offerings have gotten mixed reviews at best.
On two-wheels, though, Milestone has a much stronger track record. While Metacritic shows a pattern of review scores in the 60s for the WRC games (I think I gave WRC Powerslide the best PC score on the internet), their MotoGP games have ratings in the 70s. Ride might not be backed by a big license but the motorcycle racing game does feel like Milestone’s attempt to create the first Gran Turismo-style bike game since Tourist Trophy.
So does Milestone’s first venture away from a licensed racing product in eight years live up to its two-wheel reputation?
The Lowdown 